How
MAD MAX: FURY ROAD
Revitalized My Fascination With Film
I
use to love movies. In my teens my friends and I would bike to video stores,
rent 3 or 4 films and stay up all night devouring them. I would frequent the
cinemas, sometimes going back to watch the same movie twice, three times, or
more. I had a DVD collection, a quite substantial one.

As
my love for movies waned my love for Television exploded. Shows like LOST,
DOCTOR WHO, BATTLESTAR GALACTICA and GAME OF THRONES began to engulf my life.
Indeed we live in a golden age of TV. People are leaving the cinemas and
heading to on-demand internet streaming sites.

But why the change? Is it because TV is shorter? Easier to access? Can you do more on TV than in the hundreds of PG-13 clone films out there? Do writers have more freedom on TV? Why has TV been more impressive than film in the past decade?
Last night I understood why. After watching MAD MAX: FURY ROAD something happened to me. I put the 7GB movie file in my trashcan, pressed “Empty Trash” and then thought to myself “I want the DVD”! “I want to see that again”! “Then I want to watch it a third time with the directors commentary”. I didn’t want a sequel. I didn’t want a prequel. I didn’t want a webisode. I just wanted to watch the exact same film a second time.
And
I realized it was because of the practical effects. It wasn’t necessarily the
script or the acting or the characters. Those things were good, but they were
not the reason I wanted to see the film again. It’s because the film felt real
to me.

What I saw on the screen were real cars driving through a real desert with real acrobats (Olympians and cirque du soleil performers) and my fracking mind told me that what I was seeing was fracking real and fracking cool.
Because
of this I can call MAD MAX: FURY ROAD the best film that I’ve seen this decade.
It took me for an adventure in a far away land… to a different time, a
different place, and a different world. A world where all the laws of physics
and gravity still apply. A world where directors can’t just put a bunch of
actors in front of a blue screen and figure out everything else in “post”. A
world where you need a finished script to start filming a movie.